Thomas Zane (
sukeltaja) wrote in
singillatim2025-01-06 01:02 pm
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scene ii | ota | el topo
Who: Tom Zane and anyone he's talked to for more than 30 seconds
What: Tom puts his holiday boar present to use. It's drugs.
When: Anywhere from december to early january
Where: Various places around the Milton area
Warnings: Heavy use of drugs, possible coercion/manipulation to use said drugs, will update accordingly
Tom asks for more than he needs not out of gluttony, but because he feels there's a necessity for it. The world is bleak and cruel, and people here don't know anything about themselves. If Zane can help with that, why not?
There's simply no point in hoarding this sort of stuff. They're all in this together, and that means Tom is going to pitch in the best way he knows how: a little party. Different from the beautiful ones they've been having, more one-on-one, far more intimate. He does his best work like that.
There's also the fact that he just enjoys having fun on psychedelics, too. That's a very big factor. It's not all cryptic poetry and mysterious motivations on his end.
"I've decided we're going to have fun."
He brews tea out of the psychedelics, an old thermos tucked underneath his bundled up arms with each visit he makes. He's spent the better half of three or so months observing, so it's not hard to memorize the usual haunts of people he considers friends. Some he even visits in their cabins.
"I have something for you."
The problem with this big pile of snow they're on is that everyone's broken. If this fixes it, all the better. In the community hall, outside, or any area roughly around Milton Zane can be found with a thermos, eyeing people. Staring. Deciding. With a hum, he'll get up and move towards them, delight in his eyes and a soft, mischievous smirk playing on his lips.
"Hey, man. How's it going?"
He's calm and anchored, but it's not hard to tell he's going on a bender. Even without looking at his eyes, it's fairly obvious he hasn't had much sleep in the past week or so. He's content, and can be found doing all manner of things: he stands directly on a table in the community hall to frame something he cannot physically film. He wanders out into the wilderness nearly shirtless for the umpteenth time and doesn't seem to notice the cold. He dances. He has entire conversations with inanimate objects. He brings his camera with him absolutely everywhere during the entirety of this, making art despite having no film or power. Occasionally, he'll scribble poems in a fit of inspiration. It's also not uncommon to see him read the same page of a book over and over either, absolutely transfixed. Despite the gloom and the darkness, Tom Zane is having a grand old time.
whitespire or tortillasunrise on discord.]
What: Tom puts his holiday boar present to use. It's drugs.
When: Anywhere from december to early january
Where: Various places around the Milton area
Warnings: Heavy use of drugs, possible coercion/manipulation to use said drugs, will update accordingly
Tom asks for more than he needs not out of gluttony, but because he feels there's a necessity for it. The world is bleak and cruel, and people here don't know anything about themselves. If Zane can help with that, why not?
There's simply no point in hoarding this sort of stuff. They're all in this together, and that means Tom is going to pitch in the best way he knows how: a little party. Different from the beautiful ones they've been having, more one-on-one, far more intimate. He does his best work like that.
There's also the fact that he just enjoys having fun on psychedelics, too. That's a very big factor. It's not all cryptic poetry and mysterious motivations on his end.
i. Alan, Mr. Scratch, and Dr. Darling
He seeks those from home first. Each one of them gets a visit in their respective homes. Alan he wakes up by simply going to his room in the morning and standing directly over the foot of his bed, patiently waiting until he opens an eyes. Scratch at least gets a knock on his door before he barges in. Darling gets the softest touch out of all of them, Zane waiting until they're both settled in the evening before wordlessly grabbing research notes book out of the scientist's hands. The words are the same to all three:"I've decided we're going to have fun."
ii. close CR
Next, he seeks those he has a connection with. He's been solidly binging by the time this happens, and he hasn't slept much for about two days. It doesn't bother him in the least. If anything, it fuels him--this is what he's used to. This feels familiar. It's nice to stop drowning and start floating, if only for a while. Who is he not to share this gift?He brews tea out of the psychedelics, an old thermos tucked underneath his bundled up arms with each visit he makes. He's spent the better half of three or so months observing, so it's not hard to memorize the usual haunts of people he considers friends. Some he even visits in their cabins.
"I have something for you."
iii. OTA - partaking
He's been rolling for an awful long time now, but he still has a mission as well of a few doses left: he'll sidle up to anyone he deems in need of it--the sullen and the moody are definitely high on his list, but he moves to the sunnier ones, too.The problem with this big pile of snow they're on is that everyone's broken. If this fixes it, all the better. In the community hall, outside, or any area roughly around Milton Zane can be found with a thermos, eyeing people. Staring. Deciding. With a hum, he'll get up and move towards them, delight in his eyes and a soft, mischievous smirk playing on his lips.
"Hey, man. How's it going?"
iv. OTA - observing
Tom Zane is everywhere. He is on a higher level of consciousness, fully in and attuned to his emotions. He is in a state of blissful being, feeling one with the aurora and the land and all that entails. He is art. He is inspiration. He is being. He hasn't felt like pure creation since the Dark Place.He's calm and anchored, but it's not hard to tell he's going on a bender. Even without looking at his eyes, it's fairly obvious he hasn't had much sleep in the past week or so. He's content, and can be found doing all manner of things: he stands directly on a table in the community hall to frame something he cannot physically film. He wanders out into the wilderness nearly shirtless for the umpteenth time and doesn't seem to notice the cold. He dances. He has entire conversations with inanimate objects. He brings his camera with him absolutely everywhere during the entirety of this, making art despite having no film or power. Occasionally, he'll scribble poems in a fit of inspiration. It's also not uncommon to see him read the same page of a book over and over either, absolutely transfixed. Despite the gloom and the darkness, Tom Zane is having a grand old time.
no subject
no subject
What about you? At whatever terribly fancy art school you attended. If... you attended? Do you? You've never said, I don't think." His mind feels a little fuzzy around the edges, though whether that's from Tom's closeness or the tea, he's unsure.
no subject
"School doesn't really work for creativity, man. It does for science, maybe, but I don't think I learned a single useful thing there except reading and writing--it's stifling for the imagination!"
Funny. He can't remember if he dropped out of school or not. Maybe he went to a university for film. Maybe he moved to Finland immediately. Tom frowns slightly, brows knitting as he tries to remember, but it's murky, lost in the inky blackness of the Dark Place. No matter.
"Where do you feel the most comfortable? School? Your concrete office? Tell me."
no subject
Tom's brow is furrowed, and Casper feels the need to press a kiss to it to help smooth it out. So he does, stroking his thumb over Tom's jaw tenderly. "School, I think. I taught, as a graduate assistant. It was nice, I liked it. Lecturing to a class.
I made some videos, for the Bureau. It gave me that same sort of a feeling. Imparting knowledge." Which he says in a vaguely mystical tone, adding a sort of cosmic hand gesture to the statement.
"Where are you most comfortable? Behind a camera?"
no subject
"Let me film you, when I get a camera that works. Let's do more. Let's do so, so much more."
no subject
Instead of saying as much, he leans forward to clumsily crush their mouths together, nodding dumbly. "I'd like that. So much, Tom, I'd like that so much.
And I do. I feel comfortable. With you. It feels right, right?"
no subject
"Yeah, man. Totally." He's purposefully stripping himself away from the big words, the prophet guise he's been wearing the entire time he's been in this place. It's just him, and it's just Darling. If Darling can be vulnerable than so can Tom. Simple. Easy.
It does feel right.
He strokes the other's hair, fingers marveling at just how long the good Doctor's locks are getting, and glances over.
"...Tell me where that ashtray belongs?" He asks. "Picture it as you do. It'll be good, promise."
no subject
The fingers in his hair help him relax further, practically melting against Tom, between the tea and the soft petting and his soothing voice. "Where it belongs back home?" he asks, his voice a little dazed. A little slow.
But he does. Picturing Trench's office, the dark wood of his desk. The green shaded lamp, the cup with the pencils, the scattering of papers. The framed picture of a much younger Trench holding Susanna. And the ashtray, of course. Before it was placed in containment, before Trench locked everything down so goddamned tight, paranoid bastard, it sat on his desk. And then on the shelf that ran along the side of the office, and then -- away somewhere.
But in Casper's mind, it and the lingering scent of Black Pyramid cigarettes belong firmly in Trench's office.
"Got it," he says, finally.
no subject
Tom is too, to some degree. He's a little more coherent, the drugs thrumming in his veins making him feel baseline and normal instead of light and on air. The colours are blending in just the right way, but he can still guide and shape the other.
He keeps running a hand through Darling's hair, soothing as he speaks, not wanting to rattle the other too much--not unless it's nessecary. He introduces a new element to the story, gently suggesting here and there.
"Who's with you?"
no subject
"You," he says, quietly, leaning into Tom's touch like a pet cat. And then winces a little because -- well, obviously Tom is there. "You're over my shoulder, I mean. Talking to me, still. But he -- Zachariah. My -- my friend. He's sitting at his desk. Smoking, of course." He laughs a little, but it's emotional. Tear stained. "Like some damned film noir detective, with his desk lamp and a cloud of cigarette smoke."
no subject
There's a ripple of something there, something that moves through Tom that's a bit hard to ignore. It's not jealousy, but its linked, sitting in the pit of Tom's stomach. He clenches his jaw slightly, flexing to will the feeling away before he continues.
"He's waiting for you," he urges. "You can tell him what you need to, now."
no subject
"I should have said it sooner. Decades ago. I tried to say it here, in the forest that night, but I don't know if you could hear me. But I'm sorry we fell apart. And I know that in the end, it's my fault that you -- "
He breaks off, his fingers digging tighter into Tom's shoulder, and he lets himself give in to tears.
no subject
It's not the same, Darling's emotions and his situation are unique. That's the beauty of true pain like this, that's why isolation is so prevalent in situations. His good, dear Doctor isn't smiling at all, no longer caught in the whimsy and waves of science and theory. Nor is he grounded, anchored to the world and what it entails even here among the snow.
Darling is drifting, drowning in his own emotions, his own would haves and should haves, and Tom swallows thickly, on the verge of crying himself. It's Barbara all over again. It's Alice all over again. It's heartbreak.
"It's not your fault," he says, and he's unsure if Darling will take it in his voice or in his lost love's, not now with the affect on him. It doesn't matter. It needs to be said.