Thomas Zane (
sukeltaja) wrote in
singillatim2025-01-06 01:02 pm
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scene ii | ota | el topo
Who: Tom Zane and anyone he's talked to for more than 30 seconds
What: Tom puts his holiday boar present to use. It's drugs.
When: Anywhere from december to early january
Where: Various places around the Milton area
Warnings: Heavy use of drugs, possible coercion/manipulation to use said drugs, will update accordingly
Tom asks for more than he needs not out of gluttony, but because he feels there's a necessity for it. The world is bleak and cruel, and people here don't know anything about themselves. If Zane can help with that, why not?
There's simply no point in hoarding this sort of stuff. They're all in this together, and that means Tom is going to pitch in the best way he knows how: a little party. Different from the beautiful ones they've been having, more one-on-one, far more intimate. He does his best work like that.
There's also the fact that he just enjoys having fun on psychedelics, too. That's a very big factor. It's not all cryptic poetry and mysterious motivations on his end.
"I've decided we're going to have fun."
He brews tea out of the psychedelics, an old thermos tucked underneath his bundled up arms with each visit he makes. He's spent the better half of three or so months observing, so it's not hard to memorize the usual haunts of people he considers friends. Some he even visits in their cabins.
"I have something for you."
The problem with this big pile of snow they're on is that everyone's broken. If this fixes it, all the better. In the community hall, outside, or any area roughly around Milton Zane can be found with a thermos, eyeing people. Staring. Deciding. With a hum, he'll get up and move towards them, delight in his eyes and a soft, mischievous smirk playing on his lips.
"Hey, man. How's it going?"
He's calm and anchored, but it's not hard to tell he's going on a bender. Even without looking at his eyes, it's fairly obvious he hasn't had much sleep in the past week or so. He's content, and can be found doing all manner of things: he stands directly on a table in the community hall to frame something he cannot physically film. He wanders out into the wilderness nearly shirtless for the umpteenth time and doesn't seem to notice the cold. He dances. He has entire conversations with inanimate objects. He brings his camera with him absolutely everywhere during the entirety of this, making art despite having no film or power. Occasionally, he'll scribble poems in a fit of inspiration. It's also not uncommon to see him read the same page of a book over and over either, absolutely transfixed. Despite the gloom and the darkness, Tom Zane is having a grand old time.
whitespire or tortillasunrise on discord.]
What: Tom puts his holiday boar present to use. It's drugs.
When: Anywhere from december to early january
Where: Various places around the Milton area
Warnings: Heavy use of drugs, possible coercion/manipulation to use said drugs, will update accordingly
Tom asks for more than he needs not out of gluttony, but because he feels there's a necessity for it. The world is bleak and cruel, and people here don't know anything about themselves. If Zane can help with that, why not?
There's simply no point in hoarding this sort of stuff. They're all in this together, and that means Tom is going to pitch in the best way he knows how: a little party. Different from the beautiful ones they've been having, more one-on-one, far more intimate. He does his best work like that.
There's also the fact that he just enjoys having fun on psychedelics, too. That's a very big factor. It's not all cryptic poetry and mysterious motivations on his end.
i. Alan, Mr. Scratch, and Dr. Darling
He seeks those from home first. Each one of them gets a visit in their respective homes. Alan he wakes up by simply going to his room in the morning and standing directly over the foot of his bed, patiently waiting until he opens an eyes. Scratch at least gets a knock on his door before he barges in. Darling gets the softest touch out of all of them, Zane waiting until they're both settled in the evening before wordlessly grabbing research notes book out of the scientist's hands. The words are the same to all three:"I've decided we're going to have fun."
ii. close CR
Next, he seeks those he has a connection with. He's been solidly binging by the time this happens, and he hasn't slept much for about two days. It doesn't bother him in the least. If anything, it fuels him--this is what he's used to. This feels familiar. It's nice to stop drowning and start floating, if only for a while. Who is he not to share this gift?He brews tea out of the psychedelics, an old thermos tucked underneath his bundled up arms with each visit he makes. He's spent the better half of three or so months observing, so it's not hard to memorize the usual haunts of people he considers friends. Some he even visits in their cabins.
"I have something for you."
iii. OTA - partaking
He's been rolling for an awful long time now, but he still has a mission as well of a few doses left: he'll sidle up to anyone he deems in need of it--the sullen and the moody are definitely high on his list, but he moves to the sunnier ones, too.The problem with this big pile of snow they're on is that everyone's broken. If this fixes it, all the better. In the community hall, outside, or any area roughly around Milton Zane can be found with a thermos, eyeing people. Staring. Deciding. With a hum, he'll get up and move towards them, delight in his eyes and a soft, mischievous smirk playing on his lips.
"Hey, man. How's it going?"
iv. OTA - observing
Tom Zane is everywhere. He is on a higher level of consciousness, fully in and attuned to his emotions. He is in a state of blissful being, feeling one with the aurora and the land and all that entails. He is art. He is inspiration. He is being. He hasn't felt like pure creation since the Dark Place.He's calm and anchored, but it's not hard to tell he's going on a bender. Even without looking at his eyes, it's fairly obvious he hasn't had much sleep in the past week or so. He's content, and can be found doing all manner of things: he stands directly on a table in the community hall to frame something he cannot physically film. He wanders out into the wilderness nearly shirtless for the umpteenth time and doesn't seem to notice the cold. He dances. He has entire conversations with inanimate objects. He brings his camera with him absolutely everywhere during the entirety of this, making art despite having no film or power. Occasionally, he'll scribble poems in a fit of inspiration. It's also not uncommon to see him read the same page of a book over and over either, absolutely transfixed. Despite the gloom and the darkness, Tom Zane is having a grand old time.
no subject
Here it is. A catalyst. A beautiful start to a journey he's unsure of where the destination leads, but it's there. Randvi has always been so measured, surely, this will do it? He squeezes her shoulders, leaning in to lower his voice to a whisper, gently pulling the strings.
"Does it anger you? Not catching it, doing nothing? A mistake that cost you much, yes?"
no subject
“Of course it angers me. I'm the clan’s strategist, I should have -” She stops, her thoughts splintering like a poorly cut gemstone. Should have what? Strategist is an overblown title offered by her husband to make her feel better that she isn't permitted to travel. “I'm angry at Sigurd, who plays at conquest as if it's a game with no risks. His sister, I sent her to protect him. I'm angry at Basim, pouring poison into both their ears for reasons I cannot begin to comprehend.”
The dungeon dissolves as well. She can't bear to look at that awful display any longer.
“Everything angers me.”
The pond wavers back into view, though it's dark now. Sounds of battle, the clash of metal on metal, can be heard coming from somewhere nearby.
“That's a force I hold inside that may prove even more destructive than the other.”
no subject
Randvi is not Alan--not an artist in that sense, but someone who ebbs and flows like the tide and is just as unrelenting. Tom breathes in, readying himself, knowing he has to be careful. He respects Randvi enough for that--there's no point in pushing someone if they can't bounce back.
"Let it out," he encourages. He keeps his voice soft but his words and tone are firm, subconscious instruction more than a simple suggestion. "I'll pull you right back if you need it." A beat. "You won't."
The water continues to flow while the battle rages on, shimmering in the moonlight, showing Randvi's reflection. Tom has a pebble in his free hand. How he got it, where he picked it up, those are all unimportant to the narrative he's trying to sow, logic working in a way that he's very good at, whispering what he's doing in Randvi's ear so she'll pick up on it in her altered state. When he throws that pebble into the river, the ripples warping her reflection.
"You're changing into her anyway."
no subject
She feels Tom’s hands squeezing her shoulders - and she's gone, for a moment, lying on a wooden table with hands pressing her shoulders down as a woman she loves cuts into her face to save her - and his breath on her ear.
“I should never even have been here, in this village. I should have been free. The gods punished me.”
no subject
If he can't make a film, he can try to get inside someone's head.
"You can still break out."
no subject
“I want to,” she says, and without Tom’s steady presence behind her she might collapse from the strength it takes to say it. “To escape. I could never admit to wanting it before I tasted freedom here.”
The sounds of battle draw closer but Randvi only reacts by gesturing toward the water in front of them as it resolves into a new reflection. It's Randvi, but in a way she’s never dared to picture herself: her hair is short, as if she's just shorn off her matron’s braid, and she's dressed in a manner that gives her a much more ambiguous silhouette than what she wears now. With her eyepatch she's a bit surprised at how similar her idealized self looks to Azar. Perhaps Hytham’s friend had made a greater impression on her than she’d thought.
But now it's her turn to throw a stone. The reflection shimmers and disappears.
“I’ll never get out, Tom.”
The battle sounds ever louder. It's nearly reached them now.
no subject
"Oh, no." He moves his hands up, running up and down the other's arms in a comforting manner, soft and gentle.
"You will. You are. You just need to dive in." Tom is here to provide just that.
Hands gripping Randvi's shoulders tighter, he proceeds to push the other as hard as he can into that beautiful, captivating water.
no subject
She's unprepared for the sudden shove against her shoulders, shrieking as she hits the water. She sinks like a stone, heart pounding. She wasn't ready, she won’t be able to breathe -
Randvi holds her breath until she can't, struggling against the currents - how could that small pond be this deep? - until her body forces her to gasp and she realizes she can breathe. She breathes easier than she had on land, and is filled with a sort of fervor that she's never felt.
“Tom,” she calls. “Tom!”
no subject
They're floating now, just the two of them: the dark of the ocean, despite it being a small pond. Where the lack of light should be intimidating, Tom finds it easy and comforting, light a blanket with some weight to it.
Tom smiles softly, reaches up to touch her face. They're kindred spirits, he thinks--the least he can do is get her to understand. Randvi, in turn, will--and is--teaching him so, so much.
"This is yours, you know. This little pocket. You can control it--sieze what you haven't, take what you can't. Make your own."
no subject
“This is mine.” It feels true, though she doesn't quite understand it. Isn't he the one doing this? “The water?”