Thomas Jopson (
lieutenantsteward) wrote in
singillatim2023-11-02 08:20 pm
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There's a certain Slant of light
Who: Jopson and OTA
What: Just being a sad scurvyed, lead poisoned cold boy
When: Arrival and after
Where: Outside of town, then around! Never too far from center.
Content Warnings: illness and disease, talk of death, more TBD
Jopson pushes himself up from the snow, a feat that already has him worried. If this is indeed heaven, then God's picked a poor place. If this is hell, well, Jopson almost yeans for the warmth of hellfire. He tucks his forelock behind his ear, touching the hair that’s gotten far too long, taking stock of himself. Shoes. Trousers. Feet that aren’t frozen yet. Fingers that work and only hurt when they move. A coat -
- he’d been wearing this coat when he was promoted. When things didn’t seem so bleak. This rifle, pointed right at Hickey. And the kit in an inside pocket?
The devil has a terrible sense of humor.
So.
He walks.
Only when the woods clear does he see the town in the evidence of small fires and smoke that billows up in around dilapidated buildings. His feet give out long before the first house is within reach, but he uses the rifle to keep himself up.
He calls out with the last bit of strength remaining in his skeleton where each bone strikes the other.
He can walk. It’s a miracle in itself, considering the last memories he has before coming here are of dragging himself across frozen rocks and ice and everything falling apart around him. It's the feast in the hall, it's the clatter of plates and cups and silverware. It's the feeling, the unending, yearning maw of guilt and horror and grief and loss all over again. It weighs on him, even here.
He takes several breaks as he tries to map out the place. He should be resting, he knows he should be, but it feels good to be upright, to have a view that isn’t the inside of the tent.
He leans against the walls of homes, of stores, and catches his breath in the sunshine. As it starts to get dark, he’ll return from where he came - a structure of four walls that had once been someone’s home.
Of course, once Jopson’s mostly back on his feet, the first thing he needs to do is make himself presentable. There’s no reason to be sloppy. Not here. Not when he can move about, when everything doesn’t seem bleak.
There’s a house he’s found but is loath to claim as his own. It feels wrong, somehow. But still, that’s where his belongings, meager as they are, rest. That’s where his fire sits. That’s where he boils his water. And that’s where the filthy mirror is.
After cleaning it, he walks outside of his house, scissors in his hand, catching what light he can while he can. The beard is more difficult, considering the quality of knives he’s seen around, but he can at least trim his hair. The back is more difficult and he tries to turn a bit to do it himself, but it’s proving quite ineffective.
It also doesn’t help that he’s still recovering. Shaky hands and coughing fits do not a clean trim make.
What: Just being a sad scurvyed, lead poisoned cold boy
When: Arrival and after
Where: Outside of town, then around! Never too far from center.
Content Warnings: illness and disease, talk of death, more TBD
[I. Arrival - Closed to Crozier]
Jopson pushes himself up from the snow, a feat that already has him worried. If this is indeed heaven, then God's picked a poor place. If this is hell, well, Jopson almost yeans for the warmth of hellfire. He tucks his forelock behind his ear, touching the hair that’s gotten far too long, taking stock of himself. Shoes. Trousers. Feet that aren’t frozen yet. Fingers that work and only hurt when they move. A coat -
- he’d been wearing this coat when he was promoted. When things didn’t seem so bleak. This rifle, pointed right at Hickey. And the kit in an inside pocket?
The devil has a terrible sense of humor.
So.
He walks.
Only when the woods clear does he see the town in the evidence of small fires and smoke that billows up in around dilapidated buildings. His feet give out long before the first house is within reach, but he uses the rifle to keep himself up.
He calls out with the last bit of strength remaining in his skeleton where each bone strikes the other.
[II. Should You Really Be Outside? - OTA]
He can walk. It’s a miracle in itself, considering the last memories he has before coming here are of dragging himself across frozen rocks and ice and everything falling apart around him. It's the feast in the hall, it's the clatter of plates and cups and silverware. It's the feeling, the unending, yearning maw of guilt and horror and grief and loss all over again. It weighs on him, even here.
He takes several breaks as he tries to map out the place. He should be resting, he knows he should be, but it feels good to be upright, to have a view that isn’t the inside of the tent.
He leans against the walls of homes, of stores, and catches his breath in the sunshine. As it starts to get dark, he’ll return from where he came - a structure of four walls that had once been someone’s home.
[III. This is a Good Idea - OTA]
Of course, once Jopson’s mostly back on his feet, the first thing he needs to do is make himself presentable. There’s no reason to be sloppy. Not here. Not when he can move about, when everything doesn’t seem bleak.
There’s a house he’s found but is loath to claim as his own. It feels wrong, somehow. But still, that’s where his belongings, meager as they are, rest. That’s where his fire sits. That’s where he boils his water. And that’s where the filthy mirror is.
After cleaning it, he walks outside of his house, scissors in his hand, catching what light he can while he can. The beard is more difficult, considering the quality of knives he’s seen around, but he can at least trim his hair. The back is more difficult and he tries to turn a bit to do it himself, but it’s proving quite ineffective.
It also doesn’t help that he’s still recovering. Shaky hands and coughing fits do not a clean trim make.
iii
So when the Lieutenant had come to ask her fairly urgently to seek out one of them who'd recently arrived, there was really nothing more to be said. The bottle of rosehip syrup is carefully tucked into her satchel as she heads out looking for the man — a name and a general description in mind.
Eventually, she does come across said man, in the midst of trying very hard to cut his hair in the dim daylight — looking far worse than Lieutenant Little, Mr Goodsir or... with an internal grimace: yeah, even Mr Hickey. It's hard to hide the worry, she was never all that good at lying — no even with facial expressions.
"Excuse me, Mr... Jopson?" she raises a hand in greeting, a tiny smile at her lips. "Sorry to bother you. I'm Kate Marsh. Lieutenant Little sent me?"
Re: iii
He inclines his head, a small bow of acknowledgment.
"Miss Marsh. Is there something I can do for you?"
And indeed he sets the scissors aside, ready tontry and attend to whatever she requires.
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"Actually, it's more— well, something I can do for you." There's a little hesitation, as if trying to go about the gentlest way of explaining it. For a brief moment, she looks apologetic, then fretful. "I'm... I know about the situation, your situation. About the Scurvy in the Expedition, and the problems with the canned food."
She turns to retrieve something from her satchel and pulls out a large glass bottle filled with an orange-red liquid. Rosehip syrup.
"I promised I would help, if— if more of you came. I made it myself." she holds it out to him. "Please, it's a gift."
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Harry Goodsir is on one of his ventures into the centre of town to trade for supplies—food, various household items. He catches sight of an exhausted-looking man outside the old bank, and immediately hurries over to see if he needs help.
"Sir—i beg your pardon—are you all right?"
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This man could never end up there.
"Yes," he answers, though the truth is very much the opposite of that.
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Goodsir stops and stares.
"...Lieutenant Jopson?"
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II. Should You Really Be Outside?
Until he catches sight of those eyes. Oh, he'd know them anywhere. Of course he would — they've haunted him these months, both in sleep and when awake. And there is their owner now, leaning against the wall of one of the homes, one of many still abandoned.
He freezes. By now, the thought that more of the men may arrive is not such an impossible one — although no less strange, bizarre. Edward has held out hope that they may. He's searched, sought out newcomers when word of their arrival spread through the town. He's even been searching the faces of the dead.
But the sight of one (especially this one) shocks him, reels him, and he stands there, eyelids fluttering for a long moment. He may look as Jopson remembers him a little bit before, having cleaned up his appearance a bit again, though he's left his sideburns long for warmth. But he still wears his uniformed greatcoat and officer's cap, and his eyes are wide and dark.
Finally, he calls the name.
"Jopson?"
Re: II. Should You Really Be Outside?
It's Little, it's Little, the godforsaken coward and Thomas' fingers curl against the side of the house, digging against the wood. He doesn't say anything for a moment, but there's a darkness in his eyes that has nothing to do with the lead poisoning.
The sledges were leaving and Jopson was there - left behind. After all he did. After everything he did for everyone.
He was left behind in a cowardly attempt to save themselves in this place where he knows, he knows, they would all perish.
He says nothing.
He waits.
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He doesn't know if this is a true ghost, or the man himself. It could be either, this limping figure clinging to the side of an old home. He looks as though he could have crawled his way up from a grave (although there was no grave for him, Little knows. None of those men would have graves. And none of his own group, either.)
Edward swallows, and takes a slow step forwards against the relentless pounding of his own heart. If this is a ghost, will it fade away as he approaches? Is he more or less afraid of it staying with him?
"Do you know... who I am?"
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iii
It's the mocking tone of Cornelius Hickey, as the man walks over to Jopson. He's absolutely gone native, shedding every trace of his 1840s attire for more modern day wear—at the moment, it's Ugg boots and a hoodie for a university that Hickey has absolutely no idea where it's located (hoodie's comfy, though). He looks over at Jopson, absolutely not recognizing the man at the moment, as he continues to tease.
"One wrong move and you'll slit your throat. Still, might be an improvement over your current state."
It's only when he walks closer, only when he spots those big ol'creepy horse eyes that he realizes just who this man is. And Hickey is very thankful that he's got his knife at his side, just out of sight in his hoodie pocket. That's Thomas Jopson. An almost dead Thomas Jopson, but Jopson all the same.
Idly, Hickey offers up a curse to the heavens that out of all of the people here showing up, none of them are his men. Where's Tozer, huh weird force bringing them all here? Where's Billy? Hell, even Hodgeson would do right now!
Re: iii
"Ah, now I know we are in hell. There is no God so unjust as to send you anywhere but the fiery pits."
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ii
"Are you okay? Do you need any help?"
Re: ii
"Oh, no sir. I can make it."
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I. Arrival.
Reveling in a fire made from wood instead of the renderings of a seal, he nearly doesn't hear the call for assistance. It's a roaring fire, bright and hot, and he's stripped down to his tunic and trousers as the temperatures rise to negative 10 or so. But he does hear it, or at least thinks he does, and pokes his head outside before hurrying to the aid of the half-dead soul in the snow.
Re: I. Arrival.
It'd be almost poetic, he thinks, to be cursed to only die in the cold and alone every time.
He supposes he'll wake up in the tundra again.
Thomas spots movement up ahead and raises up, waving a hand but the energy of that causes him to topple forward onto his hands and knees.
Re: I. Arrival.
Re: I. Arrival.
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ii
Rei sits on the front stoop she's claimed as her own. She's bundled up, thankfully, in a young boy's jacket, mittens, and a cap with a little fuzzy ball at the top of it. In her lap is a book. It's much easier to read out here, by daylight, but Rei isn't reading now. Instead, she stares at the sickly-looking man and his map with red, red eyes that don't blink nearly enough, and she wonders to herself if he's well enough to get up and start moving again. She figures she'll find out soon enough.
Re: ii
"What are you reading?" he finally asks once he's able to do that much.
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iii
Hopefully, before he could do any lasting damage to himself, Jopson would be interrupted by a timid voice that calls out to him. If he cares to look in the direction he would catch sight of a man - tall and lanky, with a shock of untidy blond hair huddled into a scarlet coat that flaps in the oncoming breeze. When their eyes meet, Vash will just untuck a hand from where he is hugging himself from the cold, giving a tentative little wave.
"Sorry, I didn't mean to interrupt, but ... Did you maybe need a hand with that?"
If Jopson is looking, he'd see that the man's other arm is encased in some kind of bottle-green metal ... and what might become clear in another minute is that it isn't encased in armour, but the fact that it is his arm, shining bone-like structure and all that fit together intricately.
Re: iii
He glances to the newcomer and clutches his scissors tightly as he has with almost everyone who's approached. The wave, though, catches him off guard and he immediately relaxes, setting them on top of the wooden table situated outside.
"I - " But there's no denying it; Jopson can't do this by himself. "I would appreciate that, thank you."
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ii
A little stroll, that's all, she tells herself as she sets off, bundled up in multiple dark layers with a hat, gloves, and the red scarf she'd been gifted shortly after arriving in this frozen prison. Her boots crunch in the snow, her breath puffing in little clouds, and she stops for frequent breaks, leaning against the buildings as she makes her way as close to 'around the block' as she can get in this hellscape. It's a fairly uneventful outing until she turns a corner and finds someone else who appears to be in a circumstance quite similar to her own.
"Oh," she says, ridiculously, her tone both surprised and stoicly British. Frowning, she gives him a good look and adds, "You're a new arrival."
It isn't a question. She's made it her job to recognize everyone here even if she doesn't know them personally.
Re: ii
"Yes," he answers, as if this might be some sort of test. "I thought I might - find my bearings here, so to speak."
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iii
Even if he doesn't.. exactly.. speak up with the most social grace ever shown by anyone ever.
"Are you dying or something?"
He doesn't even mean it badly. Bigby just literally doesn't know how to carry a normal people conversation, and this is his way of saying 'that cough sure sounds concerning'..
Truly a wolf in human form just trying out here.
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iii
At first glance, he looked like some bizarre ghost, a faceless man, though the black dots that moved continuously across his blank white visage would dispel that notion soon enough. He was wearing the oddest mask most people would ever encounter, one that covered his entire face. The black dots continued to move, forming patterns that just as soon were erased and formed into new ones. Lightly clad for the cold weather, he didn't seem like he was affected by the freezing temperatures at all. And he was staring down at the man below him with the body language of someone full of curiosity, one hand grabbing the trunk next to him for balance while he watched.
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"Why in God's name are you in that tree?"
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cw: misogyny
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