ᴋᴀᴛᴇ ᴍᴀʀsʜ (
castitas) wrote in
singillatim2024-02-11 10:17 pm
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open-ish | the... sailor fight....
Who: Kate Marsh, Cornelius Hickey, Edward Little, Thomas Jopson, and basically everyone, eventually.
What: Edward Little told Kate Marsh if Cornelius Hickey ever spoke to her again, then she had to come tell him. WELL GUESS WHAT.
When: 21st February.
Where: Various, Milton.
Content Warnings: Discussions involving cannibalism and suicide, including method of suicide (wrist injuries). Major spoilers for AMC's The Terror. Also fighting.
What: Edward Little told Kate Marsh if Cornelius Hickey ever spoke to her again, then she had to come tell him. WELL GUESS WHAT.
When: 21st February.
Where: Various, Milton.
Content Warnings: Discussions involving cannibalism and suicide, including method of suicide (wrist injuries). Major spoilers for AMC's The Terror. Also fighting.
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[ She slouches back against the chair, face scrunching up as she thinks of Champ. All swagger and good looks and nothing underneath. ]
Good for decoration and not much else.
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Do you have someone at home?
[She doesn't seem the type, but he's been surprised before.]
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One passionate encounter doesn't make a relationship. But it's not only Doc she's thinking of when she says: ]
No.
[ She's been here for months, now; longer than she'd been at home before she got pulled into this place. Wynonna looks back up at him, eyebrows canting up. ]
You?
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[He leans forward.]
You should answer the same sort of question. What do you like? Surely someone here has caught your eye. There are plenty of faces to gaze at.
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Kate had me pegged. I can't resist a bad boy.
[ But even as she says it, she relents; he's been honest with her and he doesn't deserve a flippant answer in return. But she doesn't really know how to answer his question... the real question. Surely someone here has caught your eye.
Irritatingly, March isn't the only one that statement brings to mind. She shifts her glance away, toward the stove and the kettle heating on it; her turn to be awkward, to test out her words one at a time before she sets them out into the air. ]
There are some nice faces, yeah. Nice... lots of things.
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It is terrible, but he's had worse, so his second drink is with a little more fortitude. He stands up and makes the tea, setting out the bits of salted fish. One day he'll find a way to pickle them properly.] >
Lots of things.
[And she is getting quite the significant look at that because she needs to spill the tea immediately.]
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That look is familiar. He might as well be Waverly leaning over the diner table, saying hold on, whose truck are you borrowing?
It's fine, Wynonna, just play it cool. ]
Faces. Eyes. Voices...
[ Just normal stuff people notice to a normal amount.
She nods to the flask. ]
Careful with that stuff, by the way. I drank about a gallon and woke up the next morning half-dressed with Holland March on his floor.
... I'm not really sure if that's a warning or a recommendation, but either way, it's strong.
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Did you -
[He begs her with his eyes. Please finish that sentence so he isn't forced to.]
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No. I mean... plenty of other stuff, though.
[ Wynonna waggles her eyebrows at him, exaggerating for effect. ]
So I guess... yeah, he's one person here who's caught my eye. So to speak.
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[But that makes him smile. He doesn't carry any anger towards him any longer; they've grown too close for that.]
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Edward?
[ There are like eight Edwards running around Milton, but the only one that she knows knows Tommy is – ]
–Little??
[ What the fuck is that weird swoop in her stomach. ]
He's been staying here with you?
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Yes. He - well, we both learned early on that we were so used to being with the others, with the crew, that it made little sense to be alone. I go on his nightly patrols sometimes, but I provide a place he can stay.
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Are you, like...
[ Her mouth opens again, but it takes a second before she can figure out what to ask. How to ask? ]
Are these, like, the fun kind of sleepovers, or...? I don't mean braiding each others' hair, I mean are you guys...
[ It's her turn to offer a mute appeal. Please, Tommy, help her out. ]
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And Thomas laughs. He laughs so hard his nose hurts. He laughs so much hosnsides hurt. He has to take another drink of the terrible alcohol and when he speaks again, she might hear a different Thomas Jopson. Subtle changes in his inflections, in his pronunciations, and he's with his actual friends at home in the back alley, not sitting at the Officer's table.]
Good christ, no. There is a history that - we'll, I shan't burden you with. But - no. Not in this lifetime or another.
We are new friends and that is as much as I-
Wynonna, was that something you worried about? Do you -
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[ She points at him, warning, even as something loosens and tightens in her gut. Obliquely, she notes that it's nice to hear him laugh, even nicer to hear the way his words relax, like she's through some secret passageway and finally found the real Thomas Jopson, one who's more likely to tease her than to call her miss.
Leaning across the table, she swipes the flask out of his hands and takes a swallow, then wipes her mouth with the back of her hand as she scrunches up her face at him. ]
No. No.
[ Her no doesn't seem to have quite the same ring of authenticity as his had, and that only annoys her more, as does the flush of warmth on her face that's not going anywhere and which the alcohol definitely isn't helping. She scowls, more at herself than at him laughing at her. ]
It's not like that.
[ She's pretty sure it's not like that. ]
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It isn't like that.
Would you like it to be?
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[ It's not even really mean, he's just tenacious. It's not his fault she feels like she's been sucker-punched.
Wynonna eyes him over her tea before taking a sip and reaching for some of the salted fish. Chewing, she throws her hand up in the air, wide-eyed and exasperated. ]
Maybe? I don't know.
[ She crosses her arms onto the table and leans forward, narrow-eyed and assessing. You should always negotiate from a position of power – which she doesn't have – and she's morosely aware that even trying to negotiate is probably just going to dig her in even deeper, but: ]
What's it gonna take for me to get out of this with my dignity reasonably intact?
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I believe you've told me enough. [This sort of reaction is exactly the information he's looking for.
He spreads out his hands.]
You can ask anything you like, then.
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[ It lacks heat, despite her grumbling, and her lips are twitching toward a crooked curve of a smile. ]
Please tell me there's somebody here that's caught your eye, so I can return the favor. Come on, there are lots of good looking guys here.
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[But he does glance to the window over her shoulder. The one that leads to a ruined igloo that once housed Francis Crozier.]
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There's nothing there but a half-wrecked igloo, and she turns back to him. ]
Okay, but there are a few grizzled DILF-types around. I mean, have you seen Joel Miller?
[ Wynonna lifts her eyebrows at him, her expression eloquent once again; this time it says oh hell yes. ]
He's gotta be, like, sixty. [ Sorry for aging you up, Joel. ] But he's got that whole... competent mountain man thing going.
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I haven't seen him.
What is a DILF?
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Dad I'd like to fu –
[ Stop her, Thomas! Or don't. Sailors have heard (and said) worse. ]
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That - that cannot be real.
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The future is a weird and wonderful place, Tommy. What can I say, we like our acronyms. And our weirdly hot older men.
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