ᴋᴀᴛᴇ ᴍᴀʀsʜ (
castitas) wrote in
singillatim2024-02-11 10:17 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
open-ish | the... sailor fight....
Who: Kate Marsh, Cornelius Hickey, Edward Little, Thomas Jopson, and basically everyone, eventually.
What: Edward Little told Kate Marsh if Cornelius Hickey ever spoke to her again, then she had to come tell him. WELL GUESS WHAT.
When: 21st February.
Where: Various, Milton.
Content Warnings: Discussions involving cannibalism and suicide, including method of suicide (wrist injuries). Major spoilers for AMC's The Terror. Also fighting.
What: Edward Little told Kate Marsh if Cornelius Hickey ever spoke to her again, then she had to come tell him. WELL GUESS WHAT.
When: 21st February.
Where: Various, Milton.
Content Warnings: Discussions involving cannibalism and suicide, including method of suicide (wrist injuries). Major spoilers for AMC's The Terror. Also fighting.
— cornelius hickey + kate marsh
no subject
He's made his way to the community center to bring some food because again, he's useful, when he spots Kate. Lord how Hickey doesn't like that girl. But he can put his ire to the side for a moment. ]
I've got some goods for the community stores. Any idea where they're kept?
no subject
Some... cupboards there. [ He motions to them. ] Some stuff we keep downstairs in the basement.
[ There's a beat before she adds: ]
I thought you were concentrating on keeping your own place stocked up with plenty of stuff, anyway.
[ People not taking him up on his offer of food? Not all that surprising. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
just cw cannibalism for the rest of this thread
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
— kate marsh + thomas jopson + edward little
no subject
Good lord, Miss Marsh. Come in, come in, he inside. What were you thinking, walking out with no coat?
[He can't help the hint of scolding in an otherwise worried tone, removing his own coat to wrap over her shoulders.]
no subject
But when he hears a familiar voice, he's hurrying forward to see Thomas ushering Kate Marsh in, brows lifting at once as he takes in the young woman, draped in the other man's coat. His alarm immediately blossoms, fretful. ]
Miss Marsh—? What's wrong? Are you all right?
(no subject)
(no subject)
(no subject)
cw: mention of cannibalism
(no subject)
(no subject)
cw: mentions of cannibalism, references to suicide
(no subject)
(no subject)
(no subject)
(no subject)
...
...
— FIGHT TIME
let's get ready to ruuuuumbleeee
Hickey's self-aware enough to realize he kind of fucked things over with regards to that conversation with Kate. But in his defense, he never like the girl to begin with. Sanctimonious, holier than thou idiot. What use is God here, huh? How would your morals keep you warm and keep you fed?
That being said, he is also self-aware enough to realize that he needs to plan his next steps very carefully. And Hickey knows he needs to do two things. One, be somewhere public so that if anyone starts any shit, they'll have witnesses. Two, don't start the shit yourself.
He lingers in the community center, very obviously killing time. When Jopson finds him, Hickey's flipping through some shitty airport book he found, obviously not giving it his full attention.
no subject
And there's Hickey, looking unconvincingly like he doesn't have a care in the world.
Jopson doesn't bother with pleasantries. "Stand up," he tells the other man firmly.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
ringside audience
But that’s Edward in his forties. Captain Edward Kenway, pirate of the Caribbean and captain of the Jackdaw, sees a fight going on in his vicinity while he’s hammered on pine wine and hollers:]
Get him, mate! [Who’s he talking to? Both of them.]
FIGHT! FIGHT! FIGHT!
(no subject)
(no subject)
hey guys whats going on in here
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
(no subject)
(no subject)
(no subject)
(no subject)
Reaction
There is a moment where she wonders if she should do the mature thing and try to break things up. But at least for the moment her inner teenager takes over and she shouts out.]
Holy crap- A fight!
[And then she starts to chant.]
Fight fight fight!
Kick his butt, whoever!
(no subject)
(no subject)
(no subject)
(no subject)
TroyWithPizza.gif
Harry Goodsir has gotten into a habit of going by the community hall to check in on whoever is there, because God only knows that some people cannot be trusted to come to him of their own volition when they need help.
Today, as he approaches, it's plain that there's a major disturbance. People are gathered around watching something and their are raised voices—that he recognises, oh hell. He elbows his way through the onlookers and arrives just in time for this.
Aghast, he watches in stunned silence as the accusations fly, but won't jump in unless someone addresses him directly.
no subject
She'd been too worried to stay. Too worried to stay alone, not knowing what might happen. Mr Jopson had left, the Lieutenant following shortly after him.
By the time she quietly slips into the Hall, the fight's already in full swing. This wasn't what she expected would happen. Not this. Mr Jopson said he'd talk to Mr Hickey. This... this is so not talking. She didn't want this, she didn't want a fight. Is... is this her fault? Kate stands, still wrapped up in Mr Jopson's coat; eyes watery, horrified at the scene.
... Good God, what has she done?
By the time she's mentioned by name, she'll shrink back a little from any eyes that find themselves on her — she hates being in the spotlight, and she seriously starts reconsidering her decision to have followed Edward Little here. Said man will also be lingering close by, trying to usher her out of the Hall but she stays despite his efforts.
She does, however, speak up at one particular moment: ]
I'm not lying—! [ Her cheeks are red with indignation, but she looks deeply uncomfortable for drawing more attention to herself. ] It's not slander if it's true—!
[ O-okay, maybe she should just... stop talking now. ]
(tagins welcomed if anyone does want to Chat but otherwise fine with this just being for reference!)
After the harrowed interaction with Kate Marsh and Thomas Jopson, Edward had been able to wait only a short while before following after Thomas to the Community Hall, stomach a pit of knots. The thought of what might happen, when he confronts Cornelius Hickey.... it's almost unbearable. Edward knows what that man is capable of. All he can see is Thomas ending up on the wrong side of it.
But the same fear exists for Kate — that she's now a target, someone who's seen the truths of Hickey exposed. He orders her to stay at Jopson's cabin and to keep the door bolted shut, quickly gathering his cap and shotgun and rushing off.
By the time he gets there, the fight has erupted. He'll be standing there watching the scene play out in horror, not wanting to risk bringing more harm to the situation, but ready to interject if he thinks he must. He doesn't aim his gun, but keeps one hand on its strap. Once he realises his charge has followed him here, he's then standing protectively beside Kate Marsh, trying to usher her back out of sight, and if anyone draws close he'll be stepping in front of her, eyes wide, unsure what someone might have heard or what their motivations may be. For he is no stranger to a crowd gone into a frenzy, and the horrors that can come from it. ]
( Wynonna Earp )
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
— AFTERMATH
no subject
[ Tag-in to talk to Jopson, but if anyone else wants to talk to Goodsir, feel free to tag here. ]
There are so many things to worry about—Kate's well-being, Hickey's obvious ire, and—well, everything. But Kate's got Edward Little at her side, at least. And Jopson has a broken nose, and that's something concrete that Goodsir can help with.
So after the whole thing breaks up, but before Jopson can disappear, Goodsir goes to him and catches him by the arm.
"You'll want that seen to."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
for hickey, but totally publically visible in case someone wants to have spotted this!
Still, it's clear the man did rush over. He bothered to put on his coat, but he's not wearing any gloves or scarf to protect him from the cold on his way over. He didn't even hear who was involved with whatever was going down at the community center - it's more that Billy had a bad feeling about it. Trouble often follows a very specific man, after all.
.. it seems he was right about that hunch, because as soon as he arrives there, he finds Hickey still lingering there - and definitely not looking his best. It makes Billy's eyebrows knit together into a frown as his pace quickens for the last few steps until he's by the other's side.
"Cornelius." His tone is definitely a mix of actual concern and the exasperated sentiment of babe, what did you do this time. A hand reaches out to the other's cheek, tilting Hickey's head to get a better look at the state of the bruising. "What happened?"
(no subject)
(no subject)
cw: talk about suicide, cannibalism references, #justTerrorThings
cw: continued cannibalism talk! fun times!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
[not here]
Aftermath - Rounding up the Terrors, OTA
He'll look for Jopson and Little, Goodsir, and Hickey and Gibson in that order, assuming he'd find them all in those particular pairings. Maybe not. His message will be brief but succinct --
He doesn't care what form their relationships take in Milton, but there will be peace.
To do anything else will kill them all, and they will not die.
The 'again' is implied. He'll explain if people press, having already told the whole sordid affair to one person in particular. It won't make the news any easier to deliver, but he hopes a shock of bleak truth will help people to make different choices here.
After he sits outside of the Community Center staring off into the middle distance. Will it make any difference at all? Possibly not, but to hell with hiding!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
cw: mention of child death
(no subject)
(no subject)
...
...
...
u said OTA so now suffer
OH NO THE CONSEQUENCES OF MY OWN ACTIONS
lmao cw misandry??
looooool
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
Re: Aftermath - Rounding up the Terrors, OTA
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
— closed to thomas jopson
She doesn't mean to wince when he opens the door to her, but she's taken aback by the sight of him and the state of his face. Oh, it looks.... so painful.
"Hey—" her mouth is a thin line for a moment. What she wants to say is on the tip of her tongue, but she tries to opt for the more polite option of not immediately pointing out the obvious.
"I.. wanted to bring this back." She holds the coat out to him. "Thank you, for letting me borrow it."
Re: — closed to thomas jopson
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
dreamwidth posted too quick omg
(no subject)
— closed to harry goodsir
There is time for things to settle, in the silence. The soft utterance of thoughts as Kate repeats Hickey's words in her own mental voice: Do you know what scurvy is like? The first thing that happens is you bleed. Every wound you had opens up. Doesn't matter how old, doesn't matter how healed, if it left a scar? It starts to bleed. She's too occupied to realise there's someone at the door, the Lieutenant going to answer it.
The pain starts next. It feels like your body is run through with glass or pierced by a thousand needles. In her lap, her hands shift. She presses her fingernails down onto the skin on the back of her other hand one by one. A thousand needles.
When she looks up to find Harry and the realisation sinks in, there's another word: resource. Her face crumples, tears coming quickly as her head shakes. No.
(no subject)
cw: mentions of cannibalism
(no subject)
(no subject)
(no subject)
[aftermath reaction but u can reply if u want to]
Then the man (vampire) with bright green eyes returns sans apron (but still with tie) with his sharp-nailed fingers around the neck of a bottle of cheap vodka and sets it with deliberateness on a table for no one in particular.
"Medicinal," is the age-old mantra from someone who lived through the Prohibition. Disinfectant, painkiller, and oblivion in a bottle. "But don't fuckin' fight with it. I don't know why he punched Hickey, but I'm sure it was deserved."
— wynonna earp
But it's... actually kinda nice, too. As the days pass, she finds herself liking the fact she gets to stay here more and more. The sharpness of danger with the whole fight starts to dullen, and even though her head's filled with too many thoughts — she likes being here.
She can't seem to sleep tonight, though. There's an absence of Diefenbaker, who's spent a couple of nights with her. Normally, she'd be snuggling up to said wolf right about now — enjoying that very warm fur and body heat like it's the world's best hot water bottle. But Diefenbaker isn't here tonight. Instead she's swapped a wolf for a woman, with Wynonna Earp taking up the other half the Lieutenant's bed.
Kate turns over again, a little chilled and restless. She fidgets, breathes hard out of her nose. She considers going downstairs, in search of the fire's warmth — but risks disturbing Edward Little and she'd feel The Worst for that. Wynonna's probably fast asleep next to her, too.
This is the Worst. ]
(no subject)
(no subject)
(no subject)
cw references to cannibalism
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
— edward little
Maybe it's... everything that's happened. Months of stressful events: even the last two months alone haven't been easy — the Darkwalker; the strange presence affecting so many she knows; the spectral fire of Milton House. And now her confrontation with Cornelius Hickey and the subsequent fallout that's still unfurling. Maybe it's the fact she hasn't slept in a real bed in half a year. Maybe it's the reminder that this place, this bed is that familiar sense of safety — what she associates him with, what he encompasses to her. Everything here is him, and it washes over her like a warm blanket.
There's no early rise the next morning. Or at any time during the morning, in fact. She's out cold for hours. It hadn't even been particularly late when the gentle arguing with Edward Little was done, and she'd lost, reluctantly taking his bedroom for the night. She'd slept as soundly as the dead — fell into some deep and dreamless place.
When she finally makes an appearance downstairs in the afternoon, she's still half-asleep. Not even splashing her face with cold water had helped shift the tiredness from her. Thick hair worn down, not up in it's usual style and just dishevelled mess. There's some serious bed hair going on. She stands at the bottom of the stairs, lost in some sleepy daze for a moment as she tries to recollect herself. ]
Um— [ Her voice is hoarse, thick with sleep. ] hey.
SUPER LATE TAG-IN...
(no subject)
(no subject)
(no subject)
(no subject)
[ Thomas Jopson ]
Even knowing what happened, she winces when he opens the door and she sees his bandaged nose, the bruising under his eyes. ]
Well, you've looked better. I hope he has, too.
[ She quashes her helpless fury under insouciance, but her eyes are sharp and worried as she looks him over. ]
Want me to shoot him?
[ It's sincere. She hadn't had anything against Hickey herself – she barely knows the guy – but there's a side here that she's firmly on. She is Team Jopson all the way. ]
Re: [ Thomas Jopson ]
If that had been the outcome I wanted, I would have done it myself. Come inside; it's far too cold to stand there.
[He steps back, letting her in. He's thankful for her company today, though. He doesn't like being alone, and he doesn't want to face Edward or Kate at the moment. He just wants to be with - a friend. An actual friend he can open up to.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...